"When I took my camera to the streets of London, I was curious about the 'moment' like everyone else—the death of a monarch. I expected to find raw grief and sadness, but what I encountered was something different—a strange, performative atmosphere, people fulfilling an obligation. It was a scene bound by tradition, a kind of archaic practice playing out in modern Britain. The contrast was striking, and it made me question how deeply these rituals are woven into the fabric of the national identity." Good Mourning delves into the complex layers of London’s landscape on the cusp of the most significant historical transition in living memory. The evocative portraits and scenes from the streets, captured with a distinct filmic style, capture the raw and candid spectrum of the mourners en masse during the lying-in-state frenzy that enveloped Westminster. Good Mourning reconnects us to the spirit of a city and its people, offering a powerful visual narrative with a fresh Australian perspective that brings a unique and universal view.